Fernando Pomalaza, comparte una nota sobre su pintura hecha por Lee Klein en Village Star Revue
The current oeuvre of Fernando Pomalaza, a Peruvian-born, New York City based artist (who for many years showed at the Marunouchi Gallery in SoHo) presents to the viewer a complex interplay of textures and forms. His canvas, “Escaping the Pandemic,” showcases a deliberate application of bulbous, lugubrious black paint, evoking mandala-like wheels of incarnation. The accentuated suggestion of the repoussé technique, characterized by wrought iron circles of muscular, black, bulging steel, gives rise to sculptural forms that seem to emerge from cauldron-like founts of molten metal. These forms appear to be suspended in limbo, caught between states of afterlife dispensation.
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